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{Author’s Note: Doug Clark was a true legend
in the South. Although his music was not mainstream blues, his signature
song was a reworking of a classic hokum blues tune that appears in one
form or the other on just about every risqué blues collection. I
wrote this shortly after his passing, and it remains one of my favorites..}
THE PEANUT MAN GOES HOME “Lord, if we had worn those jockstraps, or done half of those things
we’ve been accused of, we’d all be in jail somewhere … and we never once
in all those years have used the “F” word onstage.”
On Sept. 16, 2002, Doug Clark passed away. For 47 years, he led the infamous band Doug Clark and the Hot Nuts.
Although they have played all over the country, from Indiana to New Hampshire to Colorado, it is here in the Carolinas that the Hot Nuts became legends. Back in 1954, a young drummer named Doug Clark realized there was money to be made on the fraternity circuit around his hometown of Chapel Hill, N.C. His group, The Tops, did well enough performing hits by the Dominoes, the Platters and others, but their most requested song was “Hot Nuts,” an old hokum blues number and the ultimate late-night, drunken sing-along, with a chorus that went: “Nuts, hot nuts, get ’em from the peanut man.”
So profitable in fact, that Doug recruited his brother John, added more risqué material and, in 1955, changed the name of the group to Doug Clark and the Hot Nuts. Over the next few years they would record nine albums on Gross Records, a division of an obscure label named Jubilee that went out of business in 1970, and play every college town south of the Mason-Dixon Line. Their records were totally unfit for airplay, so they relied on reputation and word of mouth. Their reputation often far exceeded their reality; there were all kinds of rumors about what they did at their shows, the most famous one being that they appeared on stage wearing nothing but gold lame` jockstraps. Jock straps or not, any band singing tunes like “Baby Let Me Bang Your Box” was going to provoke the occasional bluenose crusade. Back in the early ’60s, the city of Richmond, Va., banned them outright. No problem: the gig was “secretly” moved to the county fairground and sold out almost instantly. The same situations occurred even north of the Mason-Dixon Line. According to Jacque LeBlanc, a reviewer on Amazon : “I first heard these guys at SUNY Brockport in 1966. We booked them, but at the last minute, the uptight college administration said we couldn’t have them on campus. We hired out the old roller-rink, and packed in at least 700 people. The Hot Nuts arrived in a big old shocking pink tour bus, and literally rocked the joint…” Once they had developed the act, it remained virtually unchanged for
4 1/2 decades. At any Hot Nuts gig, there was a warm-up set or two consisting
of beach music, disco and R&B standards. Then, after a short intermission,
it was time for the world-famous “Hot Nuts Show.”
According to the band’s Web site, as of 2002, there were three original members left. They were Doug, his older brother John, and Tommy Goldston. There is a fourth member, front man Prince Taylor, who has been with the band off and on several times over the years. The site goes on to add (I’m quoting directly here), “Over the years Doug has hired over 75 Nuts, four of them white.” When the Hot Nuts started in ’54, double-entendre songs had been around for a long time, especially in the blues and R& B fields. Such songs as “Sixty Minute Man,” “Big Ten Inch (Record of the Blues),” and “It Ain’t the Meat It’s the Motion” were underground hits that sold millions of copies, even though they received no radio play. The Hot Nuts, however, were the first band to make an entire act out of such material, and no one before or since has been as successful at combining the risqué material with the solid musical backing as Doug Clark and company. The Hot Nuts are also part of a musical phenomenon that seems to exist in few places outside the South. That phenomenon is the ability to find a niche, develop it and have a long and successful career completely independent of major national radio or television exposure. In the gospel field, such groups as Slim and the Supreme Angels and in beach music, The Embers, The Shakers, The Chairmen Of The Board and a half-dozen others, have all (like The Hot Nuts) been playing for multiple decades in a three- to four-state area. They’ve sold thousands of records and continued to work steadily in a time when many other parts of the music market have died off or are in a severe recession. Even with Doug’s passing, The Hot Nuts will keep rolling. I spoke with John Clark, Doug’s brother, and he told me that one of Doug’s last requests was to keep the band going, and John plans to. This week, they are playing a private party for some long time fans at a posh hotel in St. Augustine, Fla., and then Saturday night, its back to Chapel Hill for a frat gig. John says he plans to keep the band working their current schedule of approximately 150 shows a year, as long as he can. These days the band still plays the fraternity circuit, but much of their work also comes from reunion parties, playing for longtime fans, now nearing retirement age, who wish to forget about Iraq, prostate screenings, and tsunamis for a couple of hours, go back to a more innocent time and sing along with “Barnacle Bill the Sailor.” Doug died of leukemia on Sept. 16, 2002. Services were held at the Chapel Hill Bible Church. A crowd of nearly 1,500 people came to say goodbye. There were family members, friends, cops, lawyers, judges and a lot of folks that just came to pay their respects to a legend, a real gentleman and one hell of a funny guy who lasted 47 years in the business and never once wore a gold jockstrap – or used the “F’ word. |
© 2005 Reverend Billy C. Wirtz |